Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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JACOBELLO DEL FIORE
Madonna with the Cloak

ID: 41163

JACOBELLO DEL FIORE Madonna with the Cloak
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JACOBELLO DEL FIORE Madonna with the Cloak


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JACOBELLO DEL FIORE

Italian Early Renaissance Painter, 1370-1439  Related Paintings of JACOBELLO DEL FIORE :. | Crucifixion hhh | Sexy body, female nudes, classical nudes 38 | Pastoral Concert | The Stigmatization of Saint Francis and Calvary | Adoration of the Shepherds ss |
Related Artists:
Antonio Bellucci
Antonio Bellucci (1654-1726) was an Italian painter of the Rococo period, who was best known for his work in England, Germany, and Austria. He was one of the many Venetian-trained artists of his time, including Ricci, Tiepolo, Amigoni, and others, who sought commissions north of Italy, providing patrons with the then-popular Italianate grand-manner frescoes for private palaces.
Jacob Toorenvliet
Dutch Baroque Era Painter , Leiden circa 1635-1719
Pieter Aertsen
1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).






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